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นายโกเมศร์ สุนันทเกษม webmaster ของ www.thaisave.com และ
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สินค้า/บริการ >> ดิจิตอล มิกเซอร์ Digital Mixer >> Yamaha >> ดิจิตอล มิกเซอร์ ยามาฮ่า (Mixer) YAMAHA DM-2000VCM (Full System)
| ดิจิตอล มิกเซอร์ ยามาฮ่า (Mixer) YAMAHA DM-2000VCM (Full System) รหัสสินค้า: 000193 ปกติ 1,328,000.00 บาท ราคาพิเศษ 1,062,000.00 บาท ประหยัด 266,000.00 บาท รายละเอียด:
FULL SYSTEM (Dm2000 VCM x 1, MB2000 x 1, SP2000 x 1)
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The Renowned DM2000 Plus
an Extraordinary New Range of Effects and Simulations
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The new DM2000VCM is the DM2000 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors. The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb.
In short, one of the world's most popular digital production consoles just got a lot more powerful.
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• VCM Technology  |
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VCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the DM2000VCM. VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry – right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.
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• iSSP Technology |
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iSSP technology is the key to the DM2000VCMs incredible selection of surround post-production effects. iSSP stands for "Interactive Spatial Sound Processing," and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.
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• REV-X |
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"REV-X" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the DM2000 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.
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The Version 2 SOFTWARE for DM2000 has been created in response to the many ideas and requests we have received from our valued end users. In addition to the significant overall performance enhancements, the Version 2 system Software offers a range of new features that add advanced capabilities for audio production, broadcast, and live applications.
But there's more. You also get the capability to install the new optional ADD-ON EFFECTS, providing a range of state-of-the-art effect programs in addition to the current internal effect list.
The version 2 system software is offered as an Upgrade Kit: DM2000V2K, to be installed in the current DM2000 digital consoles in use.
The Version 2 SOFTWARE UPGRADE KIT also includes a new and improved STUDIO MANAGER application for Windows 2000/XP and Mac OS X platforms.
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Version 2 Software Key Features |
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General New Features |
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Add-On Effect Capability
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Automix Static Insert Edit for clip based automation
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Fader level, Port Name on FL Display
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Additional Settings on User Defined Keys, Encoder Mode
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Additional Parameters on GPI and Recall Safe
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Advanced DAW Integration |
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Nuendo and Cubase SX control by selected Channel Module
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Surround pan control on Pro Tools Remote
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MMC or P2 transport control on DAW Remote Layer.
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Advanced Surround Functions |
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6.1 Panning & Monitoring
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Flexible Surround Bus Setup
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Snap to SPL85
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Additional Base Management Parameters
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Surround Pan On / Off (by using Follow Pan switch)
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Summed Monitoring of Surround Monitor Source
(BUS+ASSIGN1, BUS+ASSIGN2)
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Broadcast Applications |
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Mix Minus
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Operation Lock with password
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Pre Fader SOLO with PAN
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Fader / Solo Release
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Independent L/R Oscillator (1kHz/400Hz)
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Live SR / Theater Applications |
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User Assignable Layer
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Fader Group Master
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Mute Group Master
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Alternative Layer control by Encoders
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Instant group assignment with User Defined Keys
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GEQ Fader operation
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AUX Pre Fader Pre ON (AUX Pre Point)
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Instant AUX monitoring (AUX/SOLO LINK)
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Global Paste to multiple scenes
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Global Fade Time
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Global Recall Safe
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Gain Reduction Mete
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GENERAL SPECIFICATIONS |
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Internal Signal Processing |
32-bit (Accumulator 58-bit) |
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Sampling Frequency |
Internal
External |
44.1 kHz,48 kHz,88.2 kHz,96 kHz
Normal rate 44.1 kHz-10% - 48 kHz+6%
Double rate 88.2 kHz-10% - 96 kHz+6% |
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Signal Delay |
Less than 2.3 ms CH INPUT to STEREO OUT
(@Sampling frequency = 48 kHz)
Less than 1.2 ms CH INPUT to STEREO OUT
(@Sampling frequency = 96 kHz) |
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Fader |
motorized, touch sensitive: 100mm x 25 |
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Fader Resolution |
+10--96,-∞dB(256steps/100mm) input faders
0--130,-∞dB(256steps/100mm) master faders, stereo fader |
Total Harmonic
Distortion
Input Gain = Min. |
Less than 0.05% 20Hz to 20 kHz @+14dB into 600Ω
Less than 0.01% 1 kHz @+18dB into 600Ω
CH INPUT to STEREO OUT (@Sampling frequency=48kHz)
Less than 0.05% 20Hz to 40 kHz @+14dB into 600Ω
Less than 0.01% 1 kHz @+18dB into 600Ω
CH INPUT to STEREO OUT (@Sampling frequency=96kHz) |
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Frequency Response |
0.5,-1.5dB 20Hz - 20 kHz @+4dB into 600Ω
CH INPUT to STEREO OUT(@Sampling frequency=48 kHz)
0.5,-1.5dB 20Hz - 40 kHz @+4dB into 600Ω
CH INPUT to STEREO OUT(@Sampling frequency=96 kHz) |
Dynamic Range
(maximum level to noise level) |
110dB typ. DA Converter (STEREO OUT)
108dB typ. AD+DA (to STEREO OUT) |
Hum & Noise*
Rs = 150W
Input Gain = Max.
Input Pad = 0dB
Input Sensitivity = -60dB |
-128dB Equivalent Input Noise.
(20Hz~20 kHz)
-94dB residual output noise. STEREO OUT
STEREO OUT off.
-94dB (98dB S/N) STEREO OUT
STEREO fader at nominal level and
all CH INPUT faders at minimum level
-64dB (68dB S/N) STEREO OUTPUT
STEREO fader at nominal level and
one CH INPUT fader at nominal level
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Maximum Voltage Gain |
74dB CH INPUT (CH1-24) to STEREO OUT / OMNI (BUS) OUT
74dB CH INPUT (CH1-24) to OMNI (AUX) OUT (via pre input fader)
74dB CH INPUT (CH1-24) to CONTROL ROOM MONITOR OUT
(via STEREO bus) |
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Crosstalk (@1 kHz) |
80dB adjacent input channels (CH1-24)
80dB input to output. |
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Power Requirements |
U/C 120V 300W 60Hz
H 230V 300W 50Hz
B 230V 300W 50Hz |
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Dimensions |
Height 257mm (including LCD)
Depth 821mm
Width 900mm |
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Net Weight |
43kg |
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Operating free-air temperature range |
10-35°C |
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Storage temperature range |
-20-60°C |
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LIBRARIES |
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Effect libraries (EFFECT1-8) |
Number of factory presets
Number of user libraries |
52 (EFFECT3-8 :43)
76 |
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Compressor libraries |
Number of factory presets
Number of user libraries |
36
92 |
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Gate libraries |
Number of factory presets
Number of user libraries |
4
124 |
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EQ libraries |
Number of factory presets
Number of user libraries |
40
160 |
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Channel libraries |
Number of factory presets
Number of user libraries |
2
127 |
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GEQ libraries (EQ1-6) |
Number of factory presets
Number of user libraries |
1
128 |
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Surround Monitor libraries |
Number of factory presets
Number of user libraries |
1
32 |
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Input patch libraries |
Number of factory presets
Number of user libraries |
1
32 |
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Output patch libraries |
Number of factory presets
Number of user libraries |
1
32 |
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Bus to stereo libraries |
Number of factory presets
Number of user libraries |
1
32 |
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ANALOG INPUT CHARACTERISTICS |
Input
Terminals |
GAIN |
Actual Load
Imp. |
For Use With
Nominal |
Input level |
Connector in Console |
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Sensitivity*1 |
Nominal |
Max. before clip |
CH INPUT
A/B
1-24 |
0 |
-60dB |
3KΩ |
50-600Ω Mics
&
600Ω Lines |
-70dB
(0.245mV) |
-60dB
(0.775mV) |
-46dB
(3.88mV) |
A:XLR-3-31
type
(Balanced)*2
B:Phone Jack (TRS) (Balanced) *3
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26 |
-16dB |
-26dB
(38.8mV) |
-16dB
(0.123V) |
-2dB
(616mV) |
0db
(775mV) |
+10dB
(2.45V) |
+24dB
(12.28V) |
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INSERT IN 1-24 |
10kΩ |
600Ω Lines |
-6dB
(388mV) |
+4dB
(1.23V) |
+18dB
(6.16V) |
Phone Jack (TRS)
(Balanced)*3 |
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2TR IN ANALOG 1(L,R) |
10kΩ |
600Ω Lines |
+4dB
(1.23V) |
+4dB
(1.23V) |
+18dB
(6.16V) |
Phone Jack
(TRS)
(Balanced)*3 |
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2TR IN ANALOG 2(L,R) |
10kΩ |
600Ω Lines |
-10dB
(0.316V) |
-10dBV
(0.316V) |
+4dBV
(1.58V) |
RCA Pin
Jack
(Unbalanced) |
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ANALOG OUTPUT CHARACTERISTICS |
Output
Terminals |
Actual Source
Impedance |
For Use With
Nominal |
GAIN
SW |
Output level |
Connector in Console |
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Nominal |
Max. before clip |
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Stereo Out (L,R) |
600Ω |
10kΩ Lines |
- |
-10dBV(0.316V) |
+4dBV(1.58V) |
RCA Pin Jack
(Unbalanced) |
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150Ω |
600Ω Lines |
- |
+4dB(1.23V) |
+18dB(6.16V) |
XLR-3-32 type
(Balanced)*1 |
STUDIO
MONITOR
OUT (L,R) |
150Ω |
10kΩ Lines |
- |
+4dB(1.23V) |
+18dB(6.16V) |
Phone Jack (TRS)
(Balanced)*2 |
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C-R MONITOR OUT LARGE (L,R) |
150Ω |
600Ω Lines |
- |
+4dB(1.23V) |
+18dB(6.16V) |
XLR-3-32 type
(Balanced)*1 |
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C-R MONITOR OUT SMALL (L,R) |
150Ω |
600Ω Lines |
- |
+4dB(1.23V) |
+18dB(6.16V) |
XLR-3-32 type
(Balanced)*1 |
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OMNI OUT 1-8 |
150Ω |
10kΩ Lines |
+18dB
(default) |
+4dB(1.23V) |
+18dB(6.16V) |
Phone Jack (TRS)
(Balanced)*2 |
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+4dB |
-10dB(0.245V) |
+4dB(1.23V) |
INSERT OUT
1-24 |
600Ω |
10kΩ Lines |
- |
+4dB(1.23V) |
+18dB(6.16V) |
Phone Jack (TRS)
(Balanced)*2 |
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PHONES |
100Ω |
8Ω
Lines |
- |
4mW |
25mW |
Stereo Phone Jack (TRS) (Unbalanced)*3 |
40Ω
Lines |
- |
12mW |
75mW |
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